In an extract form issue two of Somesuch Stories, through the lens of Mia Farrow Phliipa Snow considers the vampiric effect on and reaction of Hollywood's women of its men – the twisted and plentiful “Daddies”, looking for their daughter binary, to feed from and reshape
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering