On the anniversary of Definitely Maybe and news of comeback gigs, author Anna Doble, speaks to a new generation of young women who are getting ready to show the world that Oasis belong to them. Main picture: a selfie by Bella Perozzi
Twenty-five years ago, Ian MacMillan was an arts writer and TV producer witnessing the madness of the YBA's Sensation exhibition first hand. Looking back, he argues it was representative of a shallow yet maximalist moment in British culture
Angus Batey was the reviews editor on Vox when Be Here Now was released; here he lifts the lid on the sense of panic that Oasis' third album caused in the world of music journalism. But in his love for this album is he mad for it, or just mad?
Taylor Parkes marks the 25th anniversary of the release of Blur's Parklife by exploring the album in the context of the huge changes wrought on British life in the mid to late 90s by Britpop, Blair and the death of Princess Diana. Chips photo by David Moats
The mainstream media are currently engaged in a collective misty-eyed throwback to the 'glory days' of the mid 90s. Luke Turner, who was a teenager at the time, argues that the current canonisation of Britpop is as musically and socially conservative as 1960s nostalgia
Luke Turner was unable to convince Sir Bradley Wiggins that Kraftwerk were synth-wielding mods, but here the Tour De France and Olympic cycling champion talks about his love of music, and how Liam Gallagher inspired him in his youth
As legendary NME snapper Kevin Cummins exhibits photographs of his Mancunian muse in Yorkshire, we present a gallery of his photographs and hear the curious story of Ian Curtis' pink suit. Interviews by John Tatlock