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Half a century after the release of one of the all-time great live albums, John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale. This feature was first published on 2 April 2020
The diaristic title of the Kevin Ayers, John Cale, Brian Eno and Nico's live record demands it be put into some kind of historical context. Michael Bellis looks at a highly unusual album released in a time of great cultural and social change
It seems odd to argue that a member of one of the most celebrated rock bands of all time, the Velvet Underground, is under-appreciated, says Daniel Dylan Wray in this subscriber only essay, until you consider just how absent he is from conversations about popular music
Low Culture is a new series where tQ writers use lockdown time to pull some of their favourite music, films, games and books off the shelves in order to tackle an idea that's been bugging them for a long time. In the first instalment John Doran argues that the Velvet Underground only really hit their true peak after they lost Nico, Warhol and Cale
Following the release of his new album LASTGLACIALMAXIMUM, the prolific Richard Skelton speaks to Luke Turner about the music that inspired his own work, from Thomas Tallis to Phuture, Nico to Sly & The Family Stone, The Stooges and Gorecki
With the imminent release of his score for Arrival, the latest in a now thriving partnership with Denis Villeneuve that will see him take on Blade Runner next year, the Icelandic composer shows traditional reluctance in crafting a list of defining albums and opts instead of 13 works that exemplify a philosophy of minimal gestures with maximum impact
Island-dwelling outsider musician and One More Grain brain Daniel Patrick Quinn tells us about his 13 favourite albums from Suede to Fela Kuti, Nico to Robert Wyatt and Gamelan to ELO, plus the sound of a snipe drumming, and wonders whether he'd have sexual feelings for Jeff Lynne were he a woman.
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