In Oliver Stone's _Wall Street_, Gordon Gekko embodied the reckless buccaneer capitalism of 1980s Wall Street traders but can the sequel adapt to the more complex moral gray area of the recent financial crisis? Daniel Nixon talks father figures, Faust and financial packages
There was grey and gravel-flavoured BlokeMusic before him. But, argues David Bennun, the tepid indie-folk mumbler’s commercial success ensured that an awful lot more came after him – and we’re still living with the consequences 20 years on
In an extract form issue two of Somesuch Stories, through the lens of Mia Farrow Phliipa Snow considers the vampiric effect on and reaction of Hollywood's women of its men – the twisted and plentiful “Daddies”, looking for their daughter binary, to feed from and reshape
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering