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As a child, Katie Goh was obsessed with the end of the world. In their new book, The End, Goh explores this fascination through the disaster genre to ask: why do we turn to fictional crises in books, TV and films to make sense of our real life social, economic and political disasters?
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
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