Inhabiting myriad identities to build an enormous catalogue of experimental music, Matthew Loveridge’s fascinating career was briefly paralysed by personal hardship. As he returns, Alastair Shuttleworth speaks to the enigmatic composer about anhedonia, abrasiveness, and the difficult birth of his new masterpiece
Alex Gibney and Charles Ferguson were the strongest directors to come out of the 2000 boom in left-leaning docs, and their films _Client 9_ and the now Oscar winning _Inside Job_ are out in the UK this week. David Moats gives his verdict