After becoming a target of online trolls from the alt-right's most lunatic fringes, the prolific master of noise and free jazz, Arrington de Dionyso, discusses his response: his visceral, confrontational new project, This Saxophone Kills Fascists
The recent London Contemporary Music Festival, held in a Peckham car park, provoked a debate about the role of leftfield art in deprived areas. Joe Kennedy examines some of the knotty debates around gentrification, the arts, and class in Britain today