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Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen
Sod the first few EPs, we say a band's real hidden gems are buried at the end, among the ill-advised career moves and last grasps at fading relevance. Here, tQ writers fight the corner for their favourite unloved and underrated records from the tail-end of their favourite artists' discography.
Reflecting at length upon his intimate relationship with British music from his office in Nashville, Tennessee, the alt-country veteran at the heart of Lambchop discusses freedom, interpretation and the lasting effect on him of 1970s Sheffield with Luke Cartledge
Our series of articles curated by Kevin 'The Bug' Martin continues with a Baker's Dozen from Mika Vainio, solo artist and former member of Pansonic. He tells us about how the likes of Suicide, Neubauten, the Alex Harvey Band, King Crimson and more soundtracked a life of working in slaughterhouses and vegetarian restaurants
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
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