With a head-spinning new composition due out this month, following up on last year's startlingly brilliant Pipes, Katie Gately talks to Tristan Bath about moving into music from film sound design, utilising technology and how the voice can be a means of personal reinvention
The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
As Depeche Mode reissue the film and live album documenting the 101st and final show of their colossal 1988 tour, Ned Raggett reflects with regret on how he turned down the opportunity to see the gig in person, and revisits it on Blu-Ray 33 years on