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With a head-spinning new composition due out this month, following up on last year's startlingly brilliant Pipes, Katie Gately talks to Tristan Bath about moving into music from film sound design, utilising technology and how the voice can be a means of personal reinvention
The highly charged vocal manipulations of Holly Herndon, Katie Gately (pictured), Burial and The Knife, writes Alex Borkowski, are powerful expressions of our fast-evolving relationships with technology, space and our own bodies
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