With new album Joy One Mile, Christelle Gualdi turns the crystalline harmonies of her early synthesiser music towards gauzy, immersive club tracks. She speaks with Rory Gibb about a chance encounter with a TB-303, a love of synthesis and working with Kassem Mosse
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering