Before electronic music pioneer Suzanne Ciani and fellow Buchla synth enthusiast Kaitlyn Aurelia Smith release their new LP, they tell Danny Riley about nature, synaesthesia and the sensory qualities of Sean Connery's voice
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering