Oscar Gaynor speaks to the authorial element of writer/musician Momus' multifariously-split artistic personality about his new free-to-download book, Herr F, the limits and possibilities of fog, arts culture post-Here Comes Everybody and the social functions of acting
In a selection of excerpts from his recent Strange Attractor-published book, The Bright Labyrinth, Ken Hollings discusses - via John Cage and Edgard Varèse - mass production, organisation, repetition and the (perhaps only) advantage human beings have over machines. (Illustrations by Matthew Frame)
The Quietus is always happy to see the excellent charities CALM (Campaign Against Living Miserably), the British Tinnitus Foundation and the Nordoff Robbins Trust given publicity. But, says David Stubbs, stop treating John Cage's 4'33" like a joke...
The Velvet Underground co-founder and longstanding experimental outlier reflects fondly on his 18-hour long debut US performance, producing for The Stooges and writing an ode to Brian Wilson, and makes a case for the avant-garde genius of Snoop Dogg
Ahead of his appearance at the Southbank Centre as part of Erased Tapes' tenth birthday celebrations later this year, Peter Broderick speaks to Elizabeth Aubrey about 13 records that inspired him, from Dylan to Arvo Part and Philip Glass