Following new album Sentir Que No Sabes and ahead of her guest curation at this year’s Le Guess Who?, Mabe Fratti takes Laura Snapes through thirteen favourite records spanning her Central American adolescence, cult dream pop and French post-punk Zeligs
In attempting to unpick the much-advertised gothic vampire horror of Jenny Hval's sixth album (and fourth under her own name), Suzie McCracken finds a much denser web of influence, connecting layers of ancient themes — from witchcraft to menstruation — with the pranksterism of conceptual art