To celebrate this week's Blu-ray release (in the UK at least) of Repo Man, director Alex Cox reflects on the 1984 cult classic, subsequent battles with Hollywood and Hunter S. Thompson, and why it's fine to pirate his work. Interview by our Boston scribe Craig Terlino
In this month’s essay, Stephanie Phillips reflects on the 1998 lo-fi, art pop album Julie Ruin, in which riot grrrl veteran Kathleen Hanna reaffirms her position in feminist art, while creating the building blocks for a dance punk future