Longplayer is a musical installation that will play for a millennia. Its composer Jem Finer speaks to Darran Anderson about how the differences between this challenge to our sense of human time is, perhaps unexpectedly, closely related to his work in The Pogues
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering