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In this month's subscriber essay, novelist Richard Milward travels back 55 years to the cobblestone-strewn streets of Paris, the release of France Gall's album 1968, and discovers how a time of political upheaval had a profound impact on the happy-go-lucky genre of yé-yé
If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
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