With 'riverrun', the newest in a long line of artistic adaptations of Joyce's famously-less-than-permeable novel, currently playing at the National Theatre Stephanie Boland considers the difficulties of adapting and interpreting Finnegans Wake and Olwen Fouéré's production
Dark side of the goon revealed in the latest Apatow-brand of dudecom bromance, examining the aftermath of a stand-up’s near-death experience and the realisation that life is what you’ve got left. Oli Simpson is in neologistic bro-verload
This weekend The Barbican is presenting a specially re-edited and re-scored presentation of Henri-Georges Clouzot's great lost film The Inferno. We talk to Rollo Smallcombe about the challenges of re-framing one of the great missing movies