Despite its disagreeable main characters, Stephen Frears’ record store romp still has plenty to offer for the hopeless romantics of the 2020s. Has there been a better failed and healed love story since? Adam Solomons investigates
Once again, Luke Turner and David Moats cross the wind-whipped seas to the Branchage International Film Festival, where they starred in a post-apocalyptic film with Ian Svenonius, climbed two forts, and examined the dark heart of the Berlusconi regime