If you read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
With Variety, Bette Gordon proved her knack for disrupting male spaces and transgressing the limits of the film noir genre. She also proved her punk-powered production is much more than "a feminist Vertigo", finds Brian Quinn
If you’ve read something you love on our site today, please consider becoming a monthly or annual tQ subscriber – our journalism is mostly funded this way. We’ve got some bonus perks waiting for you too.
Subscribe Now
Sign up for a weekly delve into the tQ archives.
