Jamal Moss aka Hieroglyphic Being grabs Dustin Krcatovich by the dome for a journey through a sprawling back catalog that marries house and techno to cosmic jazz, industrial squall, and sonic vistas yet unknown
With his raw and decidedly cosmic takes on house, Liverpool's John Heckle blasts off into deep space with only a cockpit's worth of hardware to keep him company. He speaks to Harry Sword about underage raving, missing records and his excellent new The Last Magic Maker mini-LP
Chicago's Jamal Moss sinks the legacies of house music and Sun Ra into abrasive and acutely psychoactive takes on club music, noise and industrial. In advance of a UK/Europe tour, he speaks to Rory Gibb about expressing the ambiguities of real life
Recorded at King Crimson’s nadir, Red looked destined to be just another forgotten final album, its release playing second fiddle to Robert Fripp’s idiosyncratic “retirement”. 50 years later, its influence is immeasurable, the perfect distillation of what’s possible from a rock trio, says Jeremy Allen