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Hans Appelqvist’s latest stage show, which shows at Intonal festival, Malmö, Sweden, explores a controversial Japanese horror in the context of a first date. Matthew Neale talks to the Swedish artist about pornography, body genres, and why art doesn’t need to be therapeutic. Contains spoilers for film and show
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
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