Euros Childs

Articles 1

Of Tugs & Tides: Jersey’s Branchage Film Festival 2010 In Review

Once again, Luke Turner and David Moats cross the wind-whipped seas to the Branchage International Film Festival, where they starred in a post-apocalyptic film with Ian Svenonius, climbed two forts, and examined the dark heart of the Berlusconi regime

Previously Read

Film

Creating A New World: Summer Of Soul And The Black Consciousness Revolution

One of the breakout hits from Sundance 2021, Questlove's energising concert movie-cum-historical artefact offers a re-canonisation of the Black perspective in American history, finds Luke Hicks

Film

Cinematograph Preview: John Pearse’s Moviemakers Disinterred

William Kherbek recalls a true rarity of early '70s British cinema, ahead of this Sunday's free screening and director q&a

Film

Happy Together: Wong Kar-Wai And The History Of Hong Kong Migrant Cinema

The centrepiece of Wong Kar-wai's melancholy drama Happy Together is a raw depiction of gay romance, but it speaks to the filmmaker's wider fascination with Hong Kong migrant cinema, finds Ian Wang

Film

Into The Void: Art And Emptiness In Velvet Buzzsaw

In Velvet Buzzsaw, Netflix's new art world satire, tQ's visual arts editor sees the profession in a glass, dimly

Film

Modern Masterpiece: 20 Years Of 24 Hour Party People

2022 marks 20 years of 24 Hour Party People, but also 20 years of a curious evolution of postmodernism in British cinema, finds Neil Fox

Film

Into This Wild Abyss: The Existential Terror Of Alien

With Alien Covenant out in cinemas Christopher Machell looks back at HR Giger's greatest creation and analyses exactly what it is that gives it its ferocious and lasting power

Film

Still Turning Heads: The Exorcism reviewed

JR Moores casts a cynical eye over the exorcism genre and asks whether Russell Crowe's contribution to the form adds anything new. Contains spoilers for a variety of exorcism and shark attack-related films

Film

Bloody Mary: American Mary Reviewed

Sean Kitching takes a look at Jen and Sylvia Soska's controversial body horror movie

Film

Moviedrone: The Finest Film Soundtracks, Solstice Edition

As we reach the halfway point of 2022, Charlie Brigden takes stock of the first half of the year in film music for Moviedrone

Film

The Best From Berlin: Berlinale Film Festival Report

Our man in Germany Stephen Dalton takes a look at the best the Berlinale film festival had to offer this year and reports back to The Quietus

Film

Moviedrone: All The Month’s Finest Film Soundtracks

Charlie Brigden returns with his monthly round up of the best film soundtrack releases. This time he casts his expert eye over new soundtracks by Danny Elfman, Henry Jackman, James Edward Barker, and François de Roubaix

Film

Viewers Viewing Viewers: Peter Greenaway’s Unusual Britishness

As the BFI celebrates the peerless work of Peter Greenaway, Leo Chadburn dives deep into what the filmmaker's sensibilities reveal about British cinema

Film

A Deafening Glory: On Sound Of Metal And The Hell Of Noise

Darius Marder's bold debut Sound of Metal asks the viewer to understand rock and deafness as two contradictory things – but it's a complex history, finds Soma Ghosh

Film

Mistaken For A Man: On The Emptiness Of Bob Odenkirk’s Nobody

Bob Odenkirk plays yet another middle-aged man with a midlife crisis in Nobody, a dad-action film that commits neither to its straightforward violence nor its critique, finds Steve Erickson

Film

Golden Bear Necessities: Berlinale 2012 Explored

Shakespeare plays in prison, African child soldiers, Nazis from space, Bob Marley... Stephen Dalton reports from the cinematic smorgasbord that was the 62nd Berlin International Film Festival

Film

Let’s Not Rush: A Love Letter To Trains On Screen

Modern cinema portrays trains as spaces between spaces, a place of fascination for the moving image that culminates with Compartment No 6, finds Henry Jordan

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Euros Childs

Articles 1

Of Tugs & Tides: Jersey’s Branchage Film Festival 2010 In Review

Help Support The Quietus in 2025

Most Popular

The Multitudes in Us: Kae Tempest’s Favourite Records

Sheer Momentum: Jack Barnett of These New Puritans’ Favourite Music

The Quietus Albums of the Year So Far 2025 (In Association with Norman Records)

Uneasy on the Ear: An Interview with Lola De La Mata

Inner Ear: Serbian Music for April by Jakub Knera

Noel Gallagher Selects His Thirteen Favourite Albums

“This is My Happening – and it Freaks Me Out!”: 10 of the All-Time Weirdest Rock’n’Roll Movies

Reissue of the Week: The Three E.P.’s by The Beta Band

Instant Grounding: Patrick Wolf’s Favourite Albums

Simulation Dismantled: Beside Myself by DJ Haram

Songs Are Syringes: Kristin Hersh On Her Favourite Tracks

God Tier: Tyler Hyde of Black Country, New Road’s Favourite Albums

Look into the Shadows: Peter Murphy’s Favourite Albums

Previously Read

Creating A New World: Summer Of Soul And The Black Consciousness Revolution

Cinematograph Preview: John Pearse’s Moviemakers Disinterred

Happy Together: Wong Kar-Wai And The History Of Hong Kong Migrant Cinema

Into The Void: Art And Emptiness In Velvet Buzzsaw

Modern Masterpiece: 20 Years Of 24 Hour Party People

Into This Wild Abyss: The Existential Terror Of Alien

Still Turning Heads: The Exorcism reviewed

Bloody Mary: American Mary Reviewed

Moviedrone: The Finest Film Soundtracks, Solstice Edition

The Best From Berlin: Berlinale Film Festival Report

Moviedrone: All The Month’s Finest Film Soundtracks

Viewers Viewing Viewers: Peter Greenaway’s Unusual Britishness

A Deafening Glory: On Sound Of Metal And The Hell Of Noise

Mistaken For A Man: On The Emptiness Of Bob Odenkirk’s Nobody

Golden Bear Necessities: Berlinale 2012 Explored

Let’s Not Rush: A Love Letter To Trains On Screen

Don’t Miss The Quietus Digest

Help Support The Quietus in 2025

Apply Filters

Articles 1

Of Tugs & Tides: Jersey’s Branchage Film Festival 2010 In Review

Help Support The Quietus in 2025

Most Popular

The Multitudes in Us: Kae Tempest’s Favourite Records

Sheer Momentum: Jack Barnett of These New Puritans’ Favourite Music

The Quietus Albums of the Year So Far 2025 (In Association with Norman Records)

Uneasy on the Ear: An Interview with Lola De La Mata

Inner Ear: Serbian Music for April by Jakub Knera

Noel Gallagher Selects His Thirteen Favourite Albums

“This is My Happening – and it Freaks Me Out!”: 10 of the All-Time Weirdest Rock’n’Roll Movies

Reissue of the Week: The Three E.P.’s by The Beta Band

Instant Grounding: Patrick Wolf’s Favourite Albums

Simulation Dismantled: Beside Myself by DJ Haram

Songs Are Syringes: Kristin Hersh On Her Favourite Tracks

God Tier: Tyler Hyde of Black Country, New Road’s Favourite Albums

Look into the Shadows: Peter Murphy’s Favourite Albums

Previously Read

Creating A New World: Summer Of Soul And The Black Consciousness Revolution

Cinematograph Preview: John Pearse’s Moviemakers Disinterred

Happy Together: Wong Kar-Wai And The History Of Hong Kong Migrant Cinema

Into The Void: Art And Emptiness In Velvet Buzzsaw

Modern Masterpiece: 20 Years Of 24 Hour Party People

Into This Wild Abyss: The Existential Terror Of Alien

Still Turning Heads: The Exorcism reviewed

Bloody Mary: American Mary Reviewed

Moviedrone: The Finest Film Soundtracks, Solstice Edition

The Best From Berlin: Berlinale Film Festival Report

Moviedrone: All The Month’s Finest Film Soundtracks

Viewers Viewing Viewers: Peter Greenaway’s Unusual Britishness

A Deafening Glory: On Sound Of Metal And The Hell Of Noise

Mistaken For A Man: On The Emptiness Of Bob Odenkirk’s Nobody

Golden Bear Necessities: Berlinale 2012 Explored

Let’s Not Rush: A Love Letter To Trains On Screen

Don’t Miss The Quietus Digest

Help Support The Quietus in 2025

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