Ahead of his appearance at Unsound Adelaide, German dance music producer Erik Wiegand talks about pulling song titles from articles on dating sites, sculpting hyperbolic sounds and his first new solo album in 13 years, Superlative Fatigue
Ahead of a major festival devoted to issues around copyright, Larisa Mann explores the relationship that Jamaican soundsystem culture has to the concept of musical ownership. Photo of Sister Nancy by Campagnie Valentin