Enslaved founder Ivar Bjørnson speaks to Dan Franklin about the story of Enslaved, the information they take from ancient Norse culture, and what he thinks, two decades on, of Varg Vikernes and the violence that engulfed the black metal scene. Photos by Peter Beste, Ole Kristian Olsen, Mirjam Vikingstad
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
A claustrophobic yet deeply stylish depiction of a weary, wary surveillance expert, The Conversation in its solitary Hitchcockian eeriness is the ultimate cautionary tale for these lonely weeks and months, finds Adam Solomons