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Brussels-based producer Zoë McPherson's debut cassette/EP signalled an ascendant voice in electronic music, shifting through vocal-lined techno and ambient with shades of Muslimgauze, Vatican Shadow and Gazelle Twin. Now, she tells Tristan Bath how Irizajn was the result of pygmy vocal samples, ethnology tomes and technical experimentation
Our journalism is funded by our readers. Become a subscriber today to help champion our writing, plus enjoy bonus essays, podcasts, playlists and music downloads.
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