In the second in our series exploring the connections between far right politics and music, Dylan Miller investigates the satanic-fascist Order Of Nine Angles and how, via musician and artist Richard Moult and the experimental folk scene, they have connected with the UK underground. Please note - this article contains imagery that some readers might find disturbing.
In an extract form issue two of Somesuch Stories, through the lens of Mia Farrow Phliipa Snow considers the vampiric effect on and reaction of Hollywood's women of its men – the twisted and plentiful “Daddies”, looking for their daughter binary, to feed from and reshape
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering