Edinburgh duo Dalhous have just released their debut full-length via the Blackest Ever Black label, which draws haunted folk forms, electronics and industrial music into its orbit. They speak with Ryan Diduck about the influence of grim weather and the hermetic nature of their work
Despite its disagreeable main characters, Stephen Frears’ record store romp still has plenty to offer for the hopeless romantics of the 2020s. Has there been a better failed and healed love story since? Adam Solomons investigates