William Bennett's new project Cut Hands finds his music taking new, percussive and punishingly effective new routes post-Whitehouse. Ahead of this weekend's performance at Supersonic, Rory Gibb speaks to him about the development of Afro Noise
One of Chantal Akerman's lesser known works feels singularly important during times of global isolation. Toute Une Nuit telegraphs the importance of human connection over one finite period of time and now plays like a foggy memory, finds Patrick Preziosi