Jeremy Allen talks to the Einstürzende Neubauten mainstay about early forays into electronic and industrial as well as drunken country and western plus an album inspired by the joys of Blackpool. All photographs courtesy Alexander Hacke
Elsa Court unpicks the cinematic relationship between Agnès Varda and Jean-Luc Godard. With her new film, Faces, Places, in UK cinemas soon, and a retrospective currently on screen at the BFI Southbank, a reassessment of the often marginalised Varda feels more vital than ever
A claustrophobic yet deeply stylish depiction of a weary, wary surveillance expert, The Conversation in its solitary Hitchcockian eeriness is the ultimate cautionary tale for these lonely weeks and months, finds Adam Solomons