Why exactly should the enjoyment of a great piece of music be marred by guilt? Following last week's Black Sky Thinking about the problems (and positives) of the concept of the 'guilty pleasure', the Quietus writers declare their undying, entirely non-ironic love for their favourite uncool songs. Introduction by Jimmy Martin
In Oliver Stone's _Wall Street_, Gordon Gekko embodied the reckless buccaneer capitalism of 1980s Wall Street traders but can the sequel adapt to the more complex moral gray area of the recent financial crisis? Daniel Nixon talks father figures, Faust and financial packages