On their debut album Coming Apart, the seething guitar noise of Kim Gordon and Bill Nace's Body/Head project possesses a strikingly raw emotional force. Petra Davis speaks to the duo about the meditative improvisational processes that went into its making
Edward Yang's domestic epic Yi Yi premiered at the Cannes Film Festival 20 years ago this week, where Yang won Best Director. Today, the film is a vital, tender resource on subverting midlife crises and saving lives through cinema, finds Ian Wang