Black Midi are back with a second album that defies most (if not all) expectations people have of the band. They talk to Dan Dylan Wray about abandoning the jam, embracing the melody and picking up the wok. Home page photograph by Yis Kid
You can call it “Crank Wave”, you can call it “Wonk”, or you can even refer to “It Might Give You A Headache But Boy Is It Exciting-core”, says John Doran, as long as you recognise the importance of the Speedy Wunderground label and drop the embarrassing references to IDLES and Shame
Ahead of their appearance at Sea Change Festival this weekend, John Doran speaks to Geordie Greep and Cameron Picton of Black Midi and asks, what exactly does it take for a challenging band to make a genuine go of it in 2019? Avatars created by Anthrox Studio. Band portrait by Dan Kendall. (Warning: the 'Crows Perch' video contains flashing images)
How might electronic music sound in a post human future? Robert Barry enlists the help of Holly Herndon, James Bridle and Conrad Shawcross to explore radical new directions in computer music, from live programming and Algorave to the digital overloads of Black Midi
In this month's Low Culture Essay, author Audrey Golden explores Factory Records film The Mad Fuckers, which could have been the UK's answer to Pretty In Pink but ended up as one of the label's great ideas that never was – though it did inadvertently give the world Madchester
Ahead of his new EP Your Charizmatic Self, the Night Slugs co-founder meets Rory Gibb to discuss thirteen favourite albums, from pioneering R&B production to grime's sonic brutalism and the blossoming influence of labelmate Jam City