Beethoven’s Grosse Fuge is one of the most extreme pieces of music ever written, in any genre. A visionary work that only began to make sense in the 20th century, asks Phil Hebblethwaite, or a cacophonous duff that betrays a disturbing truth about a highly complex man?
The enigmatic Carlos Kleiber was voted the greatest conductor of all time, although he performed infrequently and released only a few albums. Who was he, asks Phil Hebblethwaite, and how come his immense talent was coupled with such paralysing self-doubt?
Following the recent release of a ten-disc compilation and a ferocious sequel to his 2002 record Sheer Hellish Miasma, Kevin Drumm speaks to Daryl Worthington about key releases in his three-decade spanning catalogue, covering music from the almost absent to the blisteringly present