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Edward Yang's domestic epic Yi Yi premiered at the Cannes Film Festival 20 years ago this week, where Yang won Best Director. Today, the film is a vital, tender resource on subverting midlife crises and saving lives through cinema, finds Ian Wang
Despite its disagreeable main characters, Stephen Frears’ record store romp still has plenty to offer for the hopeless romantics of the 2020s. Has there been a better failed and healed love story since? Adam Solomons investigates
Fifty years after her life abruptly ended, and as fresh furore erupts over a newly-designed cover of her seminal novel The Bell Jar, Melissa Bradshaw responds to the pervading myth of Sylvia Plath as the poet who was doomed to end her life
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