With his contribution to Stroboscopic Artefacts' new EP helping celebrate the label's fifth birthday just out, Theo Darton-Moore talks to the producer about his evolving aesthetic and taking a meticulous approach to track construction
Peter Jackon's latest film _The Lovely Bones_ may seem a far cry from the blood-soaked days of _Braindead_ and _Bad Taste_ but, as Josh Saco argues, there's more to the Kiwi director than lo-fi horror and Hollywood pandering