In a selection of excerpts from his recent Strange Attractor-published book, The Bright Labyrinth, Ken Hollings discusses - via John Cage and Edgard Varèse - mass production, organisation, repetition and the (perhaps only) advantage human beings have over machines. (Illustrations by Matthew Frame)
The recent London Contemporary Music Festival, held in a Peckham car park, provoked a debate about the role of leftfield art in deprived areas. Joe Kennedy examines some of the knotty debates around gentrification, the arts, and class in Britain today