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Baker's Dozen

Versions 13.0: Shirley Manson's Favourite Albums
Elizabeth Aubrey , June 6th, 2018 10:19

In a satisfyingly forthright Baker's Dozen, Garbage singer Shirley Manson argues for boycotting un-gender-balanced festivals, explores Scottish sonic pride, discovering the finger-banging potential of listening to The Clash and says a life without misery is incomplete. All that plus enthusiastic recollections of music from Nick Cave, Patti Smith, The Stone Roses and more

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The Clash - Combat Rock
They were one of, if not the first, rock & roll male bands that I was really attracted to. I am definitely a female-orientated person, that's just the way I am. I don't go gaga over every single male rockstar that comes out, I sort of tend to be way more interested in the female narrative. But who can resist The Clash? [Laughs] even I could not resist The Clash. 



I was thrilled by the sound and also the style; they felt like a real gang to me. It really captured my imagination and I wanted to be in The Clash. They still are, arguably, one of the coolest male rock bands of all time, if not the coolest rock band of all time. There's not anybody really that touches them. I love the political bias in their writing and I love the raucousness of it – and I thought they were fucking hot as fuck [laughs]. 



Again, just amazing songs. Like, I associate 'Rock the Casbah' with a lot of great parties that I went to around about that time. There was a lot of finger-fucking going on to The Clash, an innocent but erotic memory. My sexuality was beginning to really explode when I discovered The Clash so I always associate it with that kind of hotness. It's just The Clash equals hotness. End of story.


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