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The Quietus International
New Weird Ukraine Part One: Bringing Home The Bacon
In the first of our reports from the Ukrainian underground, journalist Yaryna Denysyuk reports on punk and post-industrial scenes while drawing attention to feminist and LGTBQI issues as well as drawing some links between smoky bacon and gabber
A Quietus Interview
Get Up, Stand Up: An Interview With The Specials
In their very first interview about a new album of protest songs, The Specials' Terry Hall, Lynval Golding and Horace Panter speak to Patrick Clarke about how political music and the energy of Black Lives Matter lifted them from pandemic-enforced inertia
The Quietus International
Certified Gold: Joshua Minsoo Kim Reviews International Pop Music For August
Virginal Korean R&B from pH-1 & Jamie, a Jamaican paypig anthem from Konshens and Spice, hyperpop from Spain and Russia, and more of 2021’s vital international pop music thus far, according to new columnist Joshua Minsoo Kim
A Quietus Interview
Mourn The World: An Interview With Maria W Horn
Ahead of Rewire festival Jennifer Lucy Allan talks to the Swedish artist, musician and composer about prison hauntings, being thrown out of bible study, collectivity in music making and the power of the drone to alter perceptions of time and place
Books
YAAAAAAAAS Jesus: An Interview With Brontez Purnell
‘Forgive Me, Philip’ from Brontez Purnell’s *White Boy Music* EP was one of our tracks of the year in 2020. Now this year Purnell has published two novels. Huda Awan chats with the multitalented Bay Area resident about grief, trash, and why rock’n’roll is so boring these days
Live Reviews
A Special Moment In Norwegian Music: Vriompeis 2021 Reviewed
Joost Heijhuijsen travels to Oslo for the 2021 edition of Vriompeis and reflects on how a unique musical scene can quickly recover from the effects of the pandemic... thanks to a radical DIY approach and some smart state spending
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Black Sky Thinking
Sonic Sabotage: The Noisy History Of Auto-Destructive Music
Sub Pop recently issued a deluxe version of Father John Misty's album featuring a "bulging thickness" in the packaging that warped the vinyl beyond repair. But, says Robert Barry, this is just the latest in a rich history of self-destroying art
