Catch up on our latest writing.
From the latest Tate Modern Turbine Hall commission to a small West London gallery, an experimental release on an independent label to Gwyneth Paltrow’s celebrity lifestyle brand, the aesthetics of our time are becoming increasingly olfactory. But, in an age of masks, who is really picking up the scent?
A new documentary from the Velvet Goldmine and I’m Not There director explores the singular NYC band, who existed on the fringes of society and boundaries of taste but at the epicentre of the 1960’s avant-garde scene, as Ben Gilbert explains
Aliya Chaudhry grew up being told that rock music wasn't for her. Yet in recent years, the emo and pop punk scenes she loves have started to become far more diverse, as she explores here with contributions from artists such as Pinkshift (pictured)
Suede's Simon Gilbert talks to Luke Turner about the band's new photobook documenting the madness of their early years, from ripped and stinking 70s shirt to tripping on acid while sat next to Dot Cotton in the BBC canteen. Exclusive photo extracts thanks to Suede.
Fifty years ago, a 27-year-old pastor and a youth choir on Chicago's South Side recorded an album of gospel soul which crossed lines and provoked scepticism. Newly reissued as part of a major box set of Barrett's work, Like A Ship is more than a holy grail record and continues to move in mysterious ways, uplifting even the most ardent of non-believers, says Amar Patel