Catch up on our latest writing.
As Underworld's discography from 1994 to 2016 receives a 'perfect sound' reissue, Darran Anderson surveys how their frantic, beautiful music both embodied the overwhelm of city life and offered a rapturous escape from it
In the wake of Nightingales' new record The Awful Truth, the band's leader Robert Lloyd takes John Quin for a freewheeling ride through 13 significant tracks, from a boyhood love of Lulu and Lou Reed to later encounters with Faust and Freakwater
Carrie & Lowell (10th Anniversary Edition)
On its tenth anniversary, the Midwestern singer-songwriter returns to his classic autobiographical album with a new release featuring previously unreleased demos and outtakes. Listening to now double-disced record anew, Kat Lister finds a profound meditation on the nature of grief
As his novel Bass Instinct returns to print after 30 years as part of a long-overdue reappraisal of his trilogy of books about jungle, bass and rave in 1990s London, Two Fingas speak to Rob Corsini about being one of the few to document the subculture from within
In this month's Low Culture Essay, Wrongtom weaves the life of his jazz pianist grandad into his encounter with Norman Cook & co's 1990 hit single, and explores how it changed his own musical trajectory
Ahead of a much-anticipated slot at this year’s Supersonic Festival, the Canadian-Zambian rapper speaks to Alex Rigotti about her pivot away from industrial beats, the end of her award-winning album trilogy and an embrace of considered craftsmanship on Only Dust Remains. Content warning: this article contains discussions of suicide.
This relatively obscure, nihilistic and resigned second album by a near forgotten Mancunian post punk group was released decades before the birth of writer Lina Adams in the early 00s; so why does it speak so clearly to her life today?
With the release of her new book Small Town Joy: From glam rock to hyperpop: how queer music changed the sound of Scotland, author Carrie Marshall talks to Claire Sawers about growing up in 1970s Lanark, clubbing at Edinburgh's Fire Island and the "seismic" influence of Jimmy Somerville