Catch up on our latest writing.
Upon the release of her new album Broken Gargoyles, Diamanda Galás discusses her unflinching exploration of soldiers mutilated by war, the album's roots in the poetry of Georg Heym and the photos of Ernst Friedrich, and why the pandemic was a prompt to live in the moment
Combining classical music, metal, and hand-built instrumentation, Sarahsson’s wildly inventive debut album The Horgenaith explores femininity, bodily transformation and nature via Cronenbergian horror. An exciting new force in Bristol’s thriving avant-garde, the composer speaks with Alastair Shuttleworth in her first ever interview
To understand Lou Reed, we must start with the world in which he grew up, one he was always looking back to and never really wanted to entirely escape, says Darran Anderson, on the release of a set of previously unheard 1965 reel to reel demos
Anna Rahkonen speaks to Vanishing Twin's Valentina Magaletti and Cathy Lucas about their new track recorded exclusively for Quietus Sound + Vision subscribers, adapting an A.E. Housman poem into an expansive and magical 20 minute psychedelic epic
Elizabeth Aubrey speaks to longstanding techno masterminds Pär Grindvik and Peder Mannerfelt about their ambitious pop project Aasthma, plus the first listen of their new single 'Soulhack' and a chance to win debut album Arrival on vinyl!
The Carling Weekend was a rite of passage for many youngsters, but JR Moores got more than he bargained for when he attended Leeds Festival in 2002. He recalls police helicopters, burning portaloos and petulant headliners; and asks "What was that all about?"