Catch up on our latest writing.
Recorded exclusively for Quietus subscribers’ Autumn Equinox release, Wacław Zimpel’s new Train Spotter sees the Polish composer translate the sounds of Warsaw into a sprawling and intense album. He speaks to Julian Marszalek about the record’s creation
In the first of a new series of essays on non European cultural influences on experimental music, Seymour Wright of improvisational group أحمد [Ahmed] writes on the constant inspiration of Ahmed Abdul-Malik
In the 1970s, Tana Douglas was rock’n’roll’s first female roadie. In an exclusive extract from her new book, *LOUD: A Life in Rock 'n' Roll by the World's First Female Roadie*, she recalls the 18th birthday she spent fixing Iggy Pop’s sound rig
Though this ravishing compilation of rhythms, drones and folk tales draws lines across myriad cultures, Neil Kulkarni hears in it a sense of glorious confusion rather than straightforward commonality. This record is not reassuring, he says, but revolutionary
As Suede release new album Autofiction, Luke Turner speaks to Brett Anderson and Mat Osman about being reborn as a brand new band. and the complex transactional relationship between artist and audience. Suede portrait – Dean Chalkley, live – Paul Khera
Twenty-five years ago, Ian MacMillan was an arts writer and TV producer witnessing the madness of the YBA's Sensation exhibition first hand. Looking back, he argues it was representative of a shallow yet maximalist moment in British culture