Catch up on our latest writing.
In this month’s antidote to the algorithm, exclusive to tQ subscribers, Jennifer Lucy Allan guides us through a selection of transportive releases from DIY synth voyagers of the near past
Slovenian Martial Industrialists embark on what may be their most intrepid gambit yet – will they succeed? On the evidence of their latest album, it has at least pushed them towards some of their most adventurous and experimental music yet, finds Jeremy Allen
With Heart Of The Original, his radical treatise on creativity, back in print and new novel The Book Lovers out last December, cult author Steve Aylett is ripe for discovery. Aug Stone talks to him and offers ten points of entry into his back catalogue
Patrick Clarke's seasonal exploration of forward-thinking folk music returns, featuring an interview with Eliza Carthy on the attentional ebb & flow the scene attracts, and the importance of hammering home an anti-fascist message, plus reviews of ten essential new releases – from magical Kazakh guitar to the Italians at the heart of Ireland's trad scene, via the Balkans, Lebanon, Argyll, Connemara and beyond
Plays music by Mariam Gviniashvili, Aleksandra Słyż, Gerard Lebik, Luigi Russolo, John Hegre
Recreating the bizarre instrumentarium of Futurist artist Luigi Russolo, Luciano Chessa and his orchestra play new music by Mariam Gviniashvili, Aleksandra Słyż, and others
As Andy Bell prepares to release his finest solo album to date, he guides Luke Turner through his Strange World, from his relationship to Erasure's hits, remixing Vince Clarke, touring with Cyndi Lauper, singing with Debbie Harry and a one-man play about a randy vampire.
In the wake of his debut solo album, the TV On The Radio vocalist looks back to his longstanding love of mixtapes for an eclectic Baker's Dozen – taking in 60s psychedelia, hip hop, krautrock, dub, IDM, and his eight-year-old daughter's love of Lightning Bolt
Ahead of an appearance at next month's Acid Horse festival, the industrial folk ensemble speak to Claire Biddles about power plant tourism, Home Counties gothic and why they embrace artistic violence (as long as it doesn't occur near the cellist). All photographs by Spela Cedilnik