Catch up on our latest writing.
Four decades since its release, Toby Manning revisits how Prince's oft-overlooked seventh album dared to draw on 60s psychedelia at the height of 80s hippyphobia – producing the most countercultural sounding work of his career
Liam Inscoe-Jones explores the psychedelia inherent in the music of Danny Brown, Earl Sweatshirt and others, arguing that it reflects the increasingly surreal reality of working class life far more effectively than rock’s outdated cliches
From the days of Bong to a host of collaborations; cranky lo fi Dungeon Synth to one of the most arresting and enveloping improvised solo drone projects around, Dawn Terry is a mainstay of the UK underground. Ahead of her performance at Acid Horse in May, she speaks to Harry Sword about Fighting Fantasy, Doom Yoga and Ukrainian hurdy-gurdy
At Newcastle Contemporary Art gallery, an exhibition featuring a new film by Harry Lawson plus archival photos by Henri Cartier-Bresson, Martine Franck, Chris Killip, Sirkka-Liisa Konttinen, Tish Murtha and others, draws links between the fabled American West and England’s North-East
Lesley Chow dissects the (semi-) serious intent behind Stephen Malkmus' nonsensical rhymes on Pavement's 3rd album which was positioned as the "logical end-point of rock". This feature was originally published in 2020 to mark the album's 25th anniversary
Following the recent release of a ten-disc compilation and a ferocious sequel to his 2002 record Sheer Hellish Miasma, Kevin Drumm speaks to Daryl Worthington about key releases in his three-decade spanning catalogue, covering music from the almost absent to the blisteringly present