Catch up on our latest writing.
Sarathy Korwar speaks to Patrick Clarke about how Indo-futurism, a colonialist critique of Thomas More’s Utopia, and the invention of his own new circular rhythm system have pushed his practise forwards on ambitious new album KALAK
Lentils as projectiles, a medieval answer to Kraftwerk’s Autobahn, twin xylophone attack from Mexico City, a post-punk opera about the paranoid mind – Richard Foster and Patrick Clarke report back from another headspinning edition of Utrecht’s Le Guess Who?
With the imminent release of his score for Arrival, the latest in a now thriving partnership with Denis Villeneuve that will see him take on Blade Runner next year, the Icelandic composer shows traditional reluctance in crafting a list of defining albums and opts instead of 13 works that exemplify a philosophy of minimal gestures with maximum impact