Catch up on our latest writing.
Arrests in Algeria, family blood feuds, unreleasable drone music, permanently broken friendships, magic mushroom vomit... Fat White Family may be poised to release a brilliant new album Forgiveness Is Yours, but as he reveals to Daniel Dylan Wray, the stress of keeping the show on the road is becoming too much for Lias Saoudi. All portraits by Louise Mason
With music venues in crisis, does celebrating them as places where bands appeared on the way to fame overshadow their true purpose as the places in which music is played for the sake of communal joy, asks Luke Turner
When Haitao Yang was shot in the head, it brought him to within touching distance of death, an experience that has profoundly influenced his music ever since, but he's not alone. Jak Hutchcraft investigates the bizarre and sometimes disturbing world of music and the near death experience. With thanks to Daniel Hall
Squarepusher's new album is a palate-cleansing summary of work to date displaying an admirable breadth of technique with some amazing peaks, says John Doran, but as a continuity LP it points more clearly to a crisis in criticism rather than IDM
The sixth record from Julia Holter is a layered and heartfelt exploration of the sublime everyday. Ahead of her performance at Rewire Festival next month, she talks to Skye Butchard about its difficult creation, parallel soundtrack projects, and the attention economy in the streaming era
A year after their gloriously nightmarish session for BBC Radio 3’s Late Junction, the two improvisers are finally sharing the recordings that didn’t make the airwaves... and taking their blistering show on the road. They speak to Alastair Shuttleworth about birdsong, fear, and their new audio-visual shows backed by the Outlands Network
Lynks takes Bella Spratley through his journey from a Bristol basement party dressed in binbags and rubber gloves to next month’s dizzying debut album Abomination, and talks fluidity, anger, representation and more. Photos by Mars Washington