Catch up on our latest writing.
In this month's antidote to the algorithm, Justyna Banaszczyk (whom regular tQ readers will know as the musician FOQL) guides us through summer woodlands and murky memory with a terrific selection of Polish contemporary experimental music, including Krolowczana Smuga, pictured below.
Ahead of his appearance at this month's Green Man Festival, Sathnam Sanghera talks Tara Joshi through his favourite music, from Goldfrapp to Dave and Massive Attack, Sly, George Michael, Prince, Bally Sagoo and much more
Forty years ago this week Marc Almond released the album that almost finished his career. Derided at the time as an overblown, self-obsessed indulgence, Torment and Toreros is now considered a flawed masterpiece in the lineage of Lou Reed’s Berlin, Big Star’s Third, and Nick Cave’s Your Funeral…My Trial. Here the people who made the record tell its story in their own words.
In this month's column on the best in punk and hardcore, Noel Gardner bastes his ears with new music from Snõõper, Landowner, Parallel Worlds, Gimic, Fashion Change, Piñén, Spirito Di Lupo, Motorbike, JFA, as well as a reissue from early 90s Glaswegian group Dawson
As Chris Carter and Cosey Fanni Tutti continue their series of vinyl reissues, Luke Turner argues that the intimacy of their shared creativity powered a run of albums that perfectly combined pop, tough electro and ambient textures. Chris & Cosey archival pic from 1984, credit Birra.
Following the release of his second album, '绿帽 Green Hat', through PAN earlier this year, and ahead of an appearance at this month's Dekmantel festival in Amsterdam, Tzusing talks to Christian Eede about anxiety, shifting his focus as a DJ and why he named his latest record to "piss off" his dad
Thirty-five years on from 4AD's reissue of the first volume of recordings of Le Mystère Des Voix Bulgares, label founder Ivo Watts-Russell describes the epiphany that led to his tracking down the mysterious voices of the Bulgarian folk singers to release their music on his label. Interview by Richie Troughton