Catch up on our latest writing.
With his searing live set at this year’s Acid Horse newly released to tQ subscribers, M.L. Deathman speaks to Irina Shtreis about ramping up the tempo, cinematic influences from Westerns to giallo, and providing an alternative to damp English dread
On the release of a 20th anniversary boxset celebrating The Darkness' extravagant debut album, Patrick Clarke explores a band who married daftness and dedication, found a brilliance in the superficial, and for whom flamboyance was inherent, not an affectation
In his latest report on the contemporary music scenes of Eastern and Central Europe, Jakub Knera compiles his highlights from Hungary, and talks with artists about the scene, the meaning of ‘underground’, and how they operate under the country’s political situation
Charles Hayward and Agathe Max, two-fifths of experimental supergroup Abstract Concrete, talk to Ben Graham about creative evolution, learning to work with melody and structure, and saying goodbye to rock & roll. All portraits by Lewis Hayward
Slapp Happy's progressive influence straddled both sides of the punk rock interregnum, says Fergal Kinney reviewing a 50th anniversary reissue of Sort Of, and their influence can be felt as much in Faust as in Black Country, New Road