Catch up on our latest writing.
Edinburgh duo Dalhous have just released their debut full-length via the Blackest Ever Black label, which draws haunted folk forms, electronics and industrial music into its orbit. They speak with Ryan Diduck about the influence of grim weather and the hermetic nature of their work
London rock & roll firebrands The Jim Jones Revue play a four-night residency at the Sebright Arms this week. Ahead of the gigs, they sit down with Julian Marszalek to discuss the rigors of touring and the importance of drawing inspiration from relevant current issues
Subtext label boss Paul Jebanasam is one of several Bristol-based musicians blurring boundaries between contemporary composition, process-based recording and the colossal physicality of sound system culture. With his debut album just released, he explains to Pavel Godfrey how "melody has a way of surviving everything"
Last week Quietus editor John Doran traveled to Cairo with Incubate's Joost Heijthuijsen to learn more about the city's nascent Electro Chaabi scene. In this report from their final day in Egypt, Joost reflects on the tangled relationships between past and present that they encountered along the way
The churning drones and hammered percussion of London's Vision Fortune thrillingly blur the lines between electronics and guitars. With their debut album imminent, they sit down with Joe Clay to discuss musical freedom, plus listen to an exclusive advance stream of the full album
As Helm, Luke Younger twists acoustic sounds out of all recognition, his music's gritty ambience playing tricks with the mind. With a London show this coming Monday, he speaks with Josh Hall about construction sites and sonic collage - plus listen to an exclusive mix below
With new album V, Bay Area duo Barn Owl soar into more overtly electronic territories than ever before, infusing the gorgeous, glacial drones of their earlier work with a dub-inspired sense of shifting space. Ned Raggett catches up with them to discuss this gradual evolution