Catch up on our latest writing.
The recent announcement that the OED had made "GIF" its word of the year prompts Ryan Diduck to consider the similarities of that tiny looping file format to culture in 2012, and why, like Bill Murray in Groundhog Day, being doomed to repeat ourselves might not be entirely a bad thing
Robert Barry takes a deeper look at the k-pop phenomenon and Western responses to it, and argues that this natural extension of South Korea's high-tech culture is this some of the most innovative music currently being made
On the New York and LA Times bestseller lists, Damien Echols’ Life After Death memoir documents how his survival on death row was as improbable as the case that put him there. Alex Burrows asked how he lived through the worst that humanity could throw at him
In our latest Wreath Lecture, Joe Kennedy argues that now the flaccid post punk revival of ten years ago is over, in 2012 artists are making music that embraces the imperative to move forward and reflect troubled times. Header image: artwork for test pressing of Prurient's Bermuda Drain
Glasgow noise-rock quartet Divorce make a hellish, high-frequency no wave racket. With their self-titled debut recently released, they speak to Kevin Mccaighy about touring, spontaneity, and why noise for noise's sake isn't good enough