Catch up on our latest writing.
This is not a record review. This is (no longer) a speech that John Doran intends to give at some distant point in the future either. As the AA yellow card says: "Who you see... what you hear... leave it here."
Oxbow front man Eugene S. Robinson is one of our favourite authors cum rock stars, not to mention an accomplished fucker, fighter and fine diner, so we invited him to write about his time in the UK for us. Chic picture by Kasia Meow, head shot by Tom Millea
The Marble Index, Desertshore and The End are three of the most uncompromising records of the 60s and 70s, and arguably surpass Nico's work with the Velvet Underground. Matthew Lindsay takes an in-depth look at their history and significance
Don't let the naysayers drag you down - we are currently living in a great age for music in myriad, fractured forms. Many of them can be found here, in our reductive and subjective list of the Quietus' favourite albums of 2012
Rory Gibb takes you on a detailed trip through some of the year's defining tracks in electronic and dance music - from reductionist garage and construction-site ambient to junglist collage and quicklime grime - plus listen to a mix containing all 25 tracks